2016/03/17

Writing Still

While I catch up to myself, enjoy this essay post from May of 2011.

The Secret in the Garden

I had two ladies to tea, iced, on my wide southern porch this week. One was a passionate gardener, and the other, a writer whose passion is finding the right phrase.
We looked over my gardens—the meadow, the wildlife habitat, and the secret garden. The overflowing pink Texas skullcap, salvia, wood rose, trailing periwinkle, and drifting Mexican feather grass in the planters edging the perfect white columns in comfortable disarray. My mission was to make the gardens look like they had just happened. The gardener understood with an unspoken keenness. Of course, getting any garden to just happen in this day of drought and brutal heat is almost a miracle.
My spring yard work came to a close this week with the pruning of my favorite antique roses—Old Blush and Duchess de Brabant. I positioned the cuts to encourage new growth and erased dead wood. I checked that the overall shapes and heights were pleasing to the eye.
Later that day, I approached an old manuscript with the same vigor. I cut out the lines that didn’t need to be there, shortened lines to a point, and left room for thoughts to grow. Do my sentences flow the way I need them to go? Is the story satisfying? Do the words look like they just happened?
A writer and once my teacher, Marjorie Facklam, said that “writing should be invisible.” How hard a writer must work to have the words and sentences look like they just happened, to be clear and enlightening, so the reader sees only the true story. What talent the reader might say, when, in fact, it is more dedication and perspiration. Any talent lies in being able to see what could be in the barren land or the white space of paper or the blank computer screen.
The secret in the garden is to work passionately with what you have, what will grow in the soil that is your life—to find that comfortable disarray that is your voice. A secret understood by my fellow gardener and writer friends.

2015/11/13

Writing Guides

I'm gathering together writing guides this month and will add to this post as I find resources. The first item is actually cards.

WRITER EMERGENCY PACK by John August (2015).

WRITING TOOLS by Roy Peter Clark (Little, Brown & Co., 2006).


2015/09/10

An Accidental Essay

            Today is poet Mary Olivier’s birthday, September 10th.

            Each of the birthdays referenced in my last blog posts came about by coincidence. I noted the days because these author’s books influence my writing. Margaret Wise Brown (May 23) for her simple story lines and comforting words that enchant the youngest readers, and those who love them. Beatrix Potter (July 28) for her whimsical stories and illustrations so grounded in place. Mary Oliver for her carefully crafted words that float off pages to touch places seen, and not seen. Their grounding in nature, sense of place, and brief, lyrical lines capture my attention. All women wrote in homes near rivers or lakes and the ocean. All independent voices. All devoted to their art.
            All I will fall short of, but I do note that none of these woman had their own children. My journey is to find myself apart from all the opinions and expectations pushed on me. A woman of my time buying into the myth of having it all. Family, pay check, success. No one has it all. We all have our own journeys. Mine grows from nature and art.
            I search with pencil and camera in nature and places for flow, for stories that reveal so slowly that only persistence, not confidence, is with me. My voice seeks to be lyrical and light. I have learned that only countless rewriting and time to simmer words works. I’m definitely on a long, solitary journey.
            For much of the last three years, my writing has been lost. Blog posts reflect this. I keep dusting my compass. Others derail me. Earlier this year I sustained a concussion in an accident, so I now feel like Rip Van Winkle waking up. I am writing. In the last few weeks I have moved my desk around to face north.
            A few workshops and critiques are on my calendar. I am finding my stories. Lessons from a lifetime of workshop teachers hover at my elbows—light as a bubble, words that sing, writing so invisible it flows, a turn, a lift, and “the unsayable said” (Donald Hall, 1993).
            My voice in writing is concise, but layered, with lyrical words, with a turn and lifting, and with words to hear the unsaid. Words that float on the wind. Words that can reveal as a day breaks. Will I be heard? This is a writer’s life, accidental, but for perseverance of an inner spirit seeking to have voice.