One reason to study poetry is to enrich all of your writing. This year, I’m attending a couple of poetry workshops in order to learn about structure. The first workshop used Structure & Surprise: Engaging Poetic Turns, edited by Michael Theune. My practice poems are pushing me toward considering turns and surprises thoughtfully. Both concepts important in writing prose stories as well. My piles of poetry rejection letters show a new view is needed. I’m looking outward and finding surprise in my poetry and prose stories. Now, on to the next workshop with more confidence . . . writing is an on-going journey.
Early version:
PAPER VERSE
by Linnea Heaney
Blank years, tossed into
lost corners, forgotten,
scattered words, wastedseconds to be rushed out,
paper verse, wads crushed—
only my spilling thoughts left.
Revised
version:
PAPER VERSES
by Linnea Heaney
Blank thoughts
thrown, crumpled, toward waste
basketwhile seconds ticked on—now,
view transformed as paper verses flow
out, dashing words down,
spilling laughter, memories about.
STRUCTURE
& SURPRISE: ENGAGING POETIC TURNS, edited by Michael Theune (Teachers &
Writers Collaborative, 2007).